"All I can say is this has been the most humiliating moment of my life. I know I'm being accused of violence. But the truth is I'm incapable of any violence. The cops were more amused than intimidating," Adnan told us.
A non-cognisable offence was registered against Adnan at the Oshiwara police station here in the wee hours of Friday after Sabah accused him of "mental and physical torture". The Pakistani singer was then summoned to the police station and warned against misbehaving with his wife in future, a police official said.
According to a friend of Adnan, trouble has been brewing between the couple for sometime now.
"It started after Adnan's reunion with son Azaan (from his previous marriage). When Azaan came over to spend a fortnight during Christmas with his father, Sabah left for her home in Dubai. She felt somewhat insecure about the presence of a son in her husband's life. But Adnan has wholeheartedly accepted Sabah's son Abdullah from her earlier marriage. And Adnan saw no reason why Sabah should have a problem accepting Azaan since he's a mature and endearing boy," the friend said on condition of anonymity.
Azaan reportedly even tried his best to win Sabah's love. "Azaan accompanied Adnan for a concert in Dubai and there tried to win his mother over with flowers and chocolates. Sabah melted. But not for long."
Real trouble began when Sabah returned to Mumbai and Adnan's ailing father had to be hospitalised.
"Again Sabah felt neglected because Adnan was giving all his time to his father. Apparently when Adnan's father was hospitalised she refused to let his mother stay in their house and insisted she check into a hotel. Adnan was distraught. When his mother heard this she said she's stay in the hospital with her husband," the friend said.
Matters apparently reached a head Thursday when Adnan's father had to be discharged.
"Adnan insisted on bringing his parents home. But his wife would have none of it. This is strange considering Sabah's Filipino female friend has been their house guest for sometime now."
Sabah suddenly called the police home Thursday afternoon. "When they asked if he had caused any physical or verbal abuse she had no answer. On Thursday night-Friday morning at around 3 a.m. Sabah again complained and Adnan had to go to the police station to explain himself," the friend added.
Adnan's father was rushed to hospital after he had a relapse of the cancer of his pancreas, Adnan had said earlier. The singer has been in and out of hospital for the past two weeks.
Asked about his father's health now, he said: "By the grace of god my father has recovered...No one can stop me from bringing my parents home."
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and some more. Regardless, it always seems to be a reason behind a film's success. If it exceeds 
Drawing contrasts between the two version of Ghajini is quite difficult because director A R Muragadoss remained quite true to his original masterpiece. In fact, rarely did they differ from the original dialogues. Of course one does not blame him the least bit. Why sabotage something that is already a hit formula. Although, some small tweaks were made in the script and screenplay to prepare it to appeal for its new targeted audience. Unlike Tamil cinema audiences, Hindi cinema audiences may not have the stomach for the violence that Tamil cinema is accustomed to. The makers rewrote small sequences in the action segments of the film which was a very wise decision to ensure appeal to its new audience. In addition, the glamour quotient has been raised in particular for song sequences, perhaps with a higher production value (merely a speculation). However, A R Muragadoss didn’t stray off completely from the true essence of Ghajini, which is that at heart it remains an action packed adventure so definitely don’t go in expecting a totally action-toned-down version of the Tamil Ghajini.
The main focus of drawing contrasts that perhaps you are interested in is the performances. Was the perfectionist really perfect for the role? Was Jiah the right counterpart to Nayantara? The former is a difficult question that we’ll get to in due time but the latter is quite easily answered. And that is no. Jiah Khan simply did not look the part of a final year medical student. Perhaps this role should have come at the time of her career when her talent had been better groomed. As for now, the maturity required for the character was certainly not present in Jiah’s performance. She did not look or act the part. One wonders why Nayantara wasn’t brought over for the role like Asin had been or why Kangana Ranaut didn’t remain signed on. After witnessing Jiah’s performance, you’re almost certain anyone would be better than her.
Surya Shivkumar was the original Tamil actor who did the role of Sanjay Singhania (originally Sanjay Ramasamy), and when one has witnessed his performance it is hard to imagine that someone else can step into the same shoes. Although, it can safely be said that Aamir Khan came very damn close to delivering an as perfect performance, and in fact it is almost impossible to think of anyone else in the Hindi film industry who’d do justice to the part. Aamir’s performance is both endearing and heart breaking depending on what was required, particularly in the opening sequence where the audiences discover his mental situation. You really feel the pain of a man who everyday has to wake up and find out that the woman he loved the most in this world is no longer in it. The only sequence, in comparison to the original, in which Aamir fails is bringing across the expression of confusion. Surya was more successful in bringing across the emotions of a man who is constantly lost but still is on a mission that he is not too sure about what it is anymore. This was a particular highlighted expression in the original introduction sequence of Sanjay where he is beating up Ghajini’s goons but at the same time is very lost as to what he is doing or why he is doing it. In order to successfully convey this situation a better use of background score was also needed. Like our very own reviewer, Aly Kassam, pointed out in his review of Ghajini, the background score was amateurish in various portions. Even though it may seem as if it doesn’t contribute much to the performance of an actor, it certainly does contribute in getting across a character’s situation because it creates an atmosphere of emotions for the audiences to feel.
Lastly, the music of the original was a chartbuster to say the least, and it was very wise to entrust this big responsibility upon the man that never fails, A R Rahman. Of course picturisation was bollywood-fied without any typical Tamilian numbers such as 'Rangola' in the original, which would not have been a hit up North as much as down South.
